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BY JOHN A. FRY CUSTOM CRAFTED FURNITURE
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This commissioned piece
is a small occasional table designed to sit between two upholstered barrel
chairs. I imported the figured koa from Hawaii and resawed the veneer. The
pedestal and legs are solid Peruvian walnut. The curly koa is shop sawn veneer in a twelve piece
book matched starburst pattern with a profiled edge treatment of Peruvian
walnut. This is the glue up of the pedestal
core to be turned on the lathe. I only had 4/4 Peruvian walnut so the blank
is made up of 24 pieces of wood. It is designed so even at the narrowest
part of the turning the cut is made in the same piece of wood as the widest
part. The turning is almost complete and I am parting off
the excess. The pedestal has been sanded and finished with an
oil and varnish blend while it is still on the lathe. The koa veneer has been resawn at 3/32 inch and
then drum sanded to 1/16 inch thick. I built a 30 degree tapering sled for the table saw
to cut the perfect angle on the 12 segments of veneer. This is the dry fit of the veneer segments to
select the best arrangement. Each pair is book matched. I made two clamping fixtures to edge glue the
book-matched wedges into 60 degree segments. Then three of these were edge
glued to form half circles, then the complete top was glued up.
This same procedure was done for the underside of the table top, but I used
a non curly koa veneer. Both top and bottom veneers were glued to the MDF
substrate using Unibond 800 and vac pressed for three hours. Out of the press and both the top and bottom have
been trimmed with a hand held router and spiral, downcut, flush trim bit. I built this jig to cut the perfect circumference
arc in the table top's outer frame. The router trammel is adjusted until the
fit is flawless, then I can cut all six pieces. Each piece is mitered to match the veneer joints
and biscuits were used to attach to the substrate and each end-to-end
surface of the frame. They were glued on one-at-a-time and I cut notches to
achieve clamping pressure at the ends. A small ogee profile was routed on the edge and the
top is done. The upper and lower plates were veneered top,
bottom, and around the edges. The one on the left has the three flats for
the curved legs to attach. The top plate will just be drilled for screws to
attach the top, and then the holes will be filled with matching plugs. The legs are just under 2 inches at the base joint
and taper to 1 1/4 inch at the foot. They are glued up from two pieces. I
made a template and then rough cut seven pieces. One for a spare. I made this "small-piece" sled to route the
profile, then I glued the second rough piece to the finished pieced when dry
routed the second one flush. After I glued on the koa feet and hand shaped them,
I made a very low tech tapering sled for the drum sander to achieve the even
taper on the legs. The designer called for a koa inlay on the curved
"knee" of each leg. I've never done inlay that was not on a flat surface so
I made this mini Dremel router with see-thru narrow base to cut the inset
for the inlay. The inlay piece was simply clamped wherever I could
get clamps and glued with Unibond 800. The legs attached to the lower base
plate with dowels. Here is a close-up shot of the leg, foot, and base
detail. The inlay up close. And finally, a close-up of the joint detail on the
edge treatment and veneer work.
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